I have interrogated cities and event-led cultural policy-making since 1999. I started by revisiting the cultural legacy of the Barcelona 1992 Olympic Games to inform my work on the Sydney 2000 Olympic Arts Festivals. This was followed by research on the legacy of Glasgow 1990 as European Capital of Culture; the experience of Cultureshock – cultural programme for…
The opening of the London 2012 Games marks 100 years since the emergence of an arts and cultural programme at the Olympic Games. What is the rationale for such programme and how has it evolved over time? How does it shape the world’s largest mega event? In whose benefit is it delivered? This book situates…
Full reference: Garcia, B. (2008) ‘One Hundred Years of Cultural Programming within the Olympic Games (1912-2012): Origins, evolution and projections‘ in: International Journal of Cultural Policy, (vol 14, n 4) (pp 361-376) The Olympic Games is recognized worldwide as the largest sports mega-event – certainly the event attracting the largest amount of media coverage globally. As well…
Garcia, B. ‘Living the multicultural Olympic city. Cultural policy and planning in the Sydney 2000 Olympic Summer Games’, in: Gold, J.R. & Gold, M.M. (Eds) Olympic Cities: Urban planning, city agendas and the World’s Games, 1896 to the present, London: Routledge, pp. 237-264 (2007) This chapter studies Sydney’s experience as an Olympic city from…
Published in: International Journal for Cultural Policy (vol 10, n 1) (pp. 103-118) The potential of arts activity as a tool for urban regeneration has been widely discussed since the early 1980s. In parallel, notions of cultural/urban tourism and arts/city marketing have gained great popularity among marketers, city planners and cultural policy-makers alike. Major events…